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Rhapsody | Suite
Fantasia
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The grand movement
Composition
- The piece is not a fixed form, but a composition of two phrases that can stand independently or be rearranged. When separated, each may be worn as a short necklace or wrap bracelet. No single wearing angle is prescribed; every orientation and point of balance holds. Fastened at different positions, the piece forms Y-shaped silhouettes with varying drop proportions. An extension chain is included to adjust the length for each configuration.
Materials
- Baroque Pearls | Freshwater cultured pearls, each varies naturally in contour, lustre, and tone.
- Vintage Glass Beads | Bohemia, 1920s–1940s;West Germany, 1960s–1980s. Featuring distintive moulded forms, high-pyramid, cat’s-eye optical effects, matte finishes, and marbled glasswork. Sourced from limited, discontinued vintage stock; subtle variations in colour and detail may occur. Double-sided glass elements are individually set into hand-finished brass mounts. Each mount is shaped and polished by hand to closely fit the glass, with subtle variations that echo the individual contours of the baroque pearls.
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Brass|Gold-plated brass chains and connectors; pearls are individually joined by hand with brass wire, leaving deliberate intervals that allow metal, light, and negative space to shape a natural rhythm.
Wear
- Matinee length, falling from the collarbone toward the upper chest. Wear alone or layered with a finer, shorter necklace.
Specification
| Details | Dimensions / Details |
|---|---|
| Length | Approx. 50 cm (adjustable ±7 cm) |
| Pendant Pearl | Approx. 3 cm |
| Total Weight | Approx. __ g |
Care
- Pearls have a naturally delicate surface. Avoid impact, abrasion, and contact with hard objects to prevent scratching.
- Keep gold-plated brass away from perspiration, perfume, chemicals, and moisture. After wear, gently wipe with a soft, dry cloth and keep dry to help prolong the finish.
- All plated finishes gradually wear with use, friction, and environmental exposure; plating is not permanent.
- Store separately to prevent chains from tangling and pieces from scratching against other jewellery.
Colour builds into polyphomy, the composition surges into the infinite.
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